Showing posts with label sound. Show all posts
Showing posts with label sound. Show all posts

19 October 2009

speaking of


"I have no authority whatsoever to talk to you about religion and experience [...] It is from this very impossibility of speaking to my friends and to my own kin about a religion that matters to me, that I want to start tonight: I want to begin this essay by this hesitation, this weakness, this stuttering, by this speech impairment. Religion, in my tradition, in my corner of the world, has become impossible to enunciate."

Bruno Latour, "Thou Shall Not Freeze Frame"

Note Latour's explicit debt to James's sense of deferral, his self-consciousness about speaking at the beginning of Varieties and in the letters, his invocation of Whitman's "To You"; also c.f. William Connolly, "often, though, the differences between liberalism and secularism are those of inflection"; Stanley Cavell, "in philosophy it is the sound which makes all the difference."

21 September 2009

on beginnings


"But if I hadn't done, on solicitation, this particular thing I shouldn't have begun ever at all; and if I hadn't begun I shouldn't have the set purpose to show, henceforth, what flower of perfection I presume to think I can pick from the dusty brambles--ah meagre vegetation!--of the dramatic form."

To Robert Louis Stevenson. 34 De Vere Gardens W. Oct. 30th, 1891.

The letter begins, "My dear Louis. My silences are hideous, but somehow I feel as if you were inaccessible to sound."













English National Opera production of The Turn of the Screw, December 2007

23 September 2007

to do
















To do: the limits of regionalism. outer bounds. politics of the periphery.

To imagine: the work of sound.